December 29, 2017
Banning condom ads is a self-defeating move: Karan Oberoi
The long going debate over the telecast of condom advertisements came to an end after the information and broadcasting ministry banned its airing between 6 am and 10 pm. The decision, which is being considered to be regressive and counterproductive, was taken in view of the children who might get negatively influenced by the sexually explicit content. However, Karan Oberoi totally condemns the decision thereby considering it ‘unthoughtful’.
December 27, 2017
All About Spring Batch..
What is Batch processing?
It is the processing mode, which involves execution of series of automated complex jobs without user interaction. It process handles bulk data and runs for a long time.
It is the processing mode, which involves execution of series of automated complex jobs without user interaction. It process handles bulk data and runs for a long time.
December 25, 2017
#Java8 : Looping a Map using forEach and Lambda expression..
1). POJO class of Employee.
public class Employee {
private String name;
private int age;
public class Employee {
private String name;
private int age;
#Java8 : Comparator example to sort a List using Lambda expression..
1). Create a Employee class:
public class Employee {
private String name;
private int age;
public class Employee {
private String name;
private int age;
December 20, 2017
December 18, 2017
Sidhartha Mallya in creation mode?
Looks like actor Sidhartha Mallya has dug his head deep into a brand new project which he is believed to be creating from scratch. As per industry whispers, Sid is apparently working on creating a dynamic international series dedicated to the inner workings of a powerful and complicated Indian business family. In addition to creative, he is believed to also be starring in it.
December 14, 2017
Ayushmann Khurrana gets a taste of action!
Ayushmann Khurrana has been a poster boy for slice of life films. The actor has delivered huge super-hits with feel-good content cinema like Vicky Donor, Dum Laga Ke Haisha, Bareilly Ki Barfi and Shubh Mangal Saavdhan. The versatile actor is now set to explore the thriller genre through Sriram Raghavan’s untitled next in which he plays a blind piano player and show audiences his action avatar.
December 12, 2017
December 11, 2017
December 07, 2017
December 05, 2017
If Rishi Kapoor is complimenting, I must've done something right, says Preetisheel Singh
You have received
abundant praise for your work as a make-up and prosthetics artiste in films
like Bajirao Mastani, Shivaay, Haider, Mom, Hawaizaada, Housefull 3, Rangoon,
Brothers, Talwar, Finding Fanny, Parched, Ghayal Once Again and the Tamil film
24. You have even received a National Award for Nanak Shah Fakir. Does this
body of work create very high expectations and a pressure to raise the
standards with every new project you undertake?
At the back of my mind, it's always ticking... that I got to
better my last. And I think that happens with every professional who is sincere
to her or his core. That's how you win in the long run. The shorter races don't
excite me as much.
After Bajirao
Mastani, how does it feel being repeated by Sanjay Leela Bhansali for
Padmavati?
Mr Bhansali has an eye for immaculate detail. Add the
stalwart starcast of Ranveer Singh, Deepika Padukone and Shahid Kapoor and all
the energy along with every powerful actor on the film... that's a lot of
pressure too. But that's exactly what kept me going. I deliver in pressure and
earning Bhansali Sir's trust is really really encouraging. So any amount of
pressure is worth it.
For another upcoming
film 102 Not Out, you have designed the looks for Amitabh Bachchan as a
102-year-old man, with Rishi Kapoor playing his 75-year-old son. Was it tough
to make them look like father and son?
Tough would be an understatement here. More so, since both
the actors are legendary. I was a baby when they were shining bright and they
are still ruling hearts globally. So yes, you got to toughen up and think
beyond the aura they exude. Getting deep into the respective characters felt
like a duty, because I knew their talent will only take the work we put in much
higher. Plus, at their age and stature, it takes a lot of patience to sit and
allow so much make-up to happen and then go out and perform. It's commendable
and inspiring. Compared to their perseverance, my job seems easier.
Recently, Rishi
Kapoor even praised you in the media for executing his look of a devout Muslim
in Mulk.
Oh, what can I say, but 'Thank you Rishi Sir.' If he is
complimenting, then I sure must've done something right. It's really thrilling
to be praised by him. Rishi Sir is a gem of a person to work with. Me and my
team have had the pleasure to work with him on two films back-to-back and I
look forward to keep transforming his looks in the coming future (winks).
Compared to Hollywood
flicks, do you think Indian films are finally coming of age regarding make-up
and prosthetics? Or are we still far behind?
We have taken strong strides in recent times. People are
more aware of prosthetics, but we have a long way to go.
Do you use Indian raw
material? Or do you have to rely on foreign products to get the desired
effects? Is shortage of quality raw stock the only reason you have set up
India's first make-up and prosthetics lab called Da Makeup Lab? Or is there
some higher goal and bigger purpose or vision in mind?
To be honest, Da Makeup Lab was born out of necessity and
now its growing fast with an aim to set higher standards of make-up and
prosthetics for our movies. See, there isn't a proper special-effects material
supply shop here. So much so, that it seems our technicians never realized that
this could also be a great business opportunity too. Since I can't compromise
on quality, I do end up getting 80 percent of my material from abroad. But it
would really be a boon if we begin creating and manufacturing our own raw
material for make-up and prosthetics. That would make a huge difference to the
look and feel of our films.
In the past, Indian
films have often portrayed ghosts in quite a tacky manner. But you changed that
with your recent film House Next Door. Can you tell us a bit more about what
has gone into the ghosts you designed for the movie?
For The House Next Door, it is the first time that we are
showing ghosts which don't look artificial. A lot of work has gone into
creating looks that are extremely believable, yet convincing for the
supernatural genre. Film is a medium of expression and good storytelling. And
if I don't do justice to the looks of the characters, it would be really
unfair. Eventually, I would want Hollywood to be looking at an Indian film and
be baffled by the professionalism in the make-up designs executed by us. That
would be an achievement.
In a short span, you
have already emerged a market leader in your field. Any plans of moving to
Hollywood?
C'mon, don't spoil me! I have a long way to go and have so
much more to learn. I'd love to learn more advanced and newer techniques and
implement them in India. Imagine a day when Hollywood can look up in awe at
Bollywood... what a day that would be.
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